Monday, March 27th, 2017
“Curated by members of the local LGBT+ community, this unique exhibition marks the 50th anniversary of the 1967 Sexual Offences Act, exploring and celebrating those who campaigned and continue to campaign for equality for LGBT+ people. The exhibition details the development of an LGBT+ movement, showing the internal and external struggles, the different party political approaches to equality, and the social and historical context of the last sixty years of activism. This is the complex and compelling story of a long and often bumpy journey.”
Perhaps you’re not that into Youtube, fair enough, who really needs to know what lipstick Zoella likes recently. But, what is important, important enough to write a blog post about, is Youtube’s blocking of LGBTQ+ videos, while on their ‘restricted mode.’ (Read more about it on Buzzfeed here, where it’s much more eloquently described.)
Youtube’s blocking of LGBTQ+ content was met with mixed response. Some on the side of the fence of “it protects children from sexually explicit content” and others on the side of “HOW CAN THIS BE, blocking LGBTQ+ content is homophobic and dangerous.” Me? I think I’m still on the fence, with my leg dangling on the side of HOW CAN THIS BE. Although sitting on the fence is painful, uncomfortable, and only a temporary place to sit, literally or metaphorically.
So, this is a museum blog after all, back to museums. I visited the Never Going Underground exhibition at the Peoples History Museum this month, not long before finding out about the Youtube news. When the Youtube news came out, it got me thinking about the similarities between social media and museums, in terms of what they are to society. Now, perhaps I’m too millennial, but both, to me, are integral parts of society. My entire masters dissertation was about social media, so I definitely am too millennial. Social media, to those who use it, is a way to communicate, both individual stories and community narratives. Sound familiar? So are museums.
Peoples History Museum is always forward thinking, it’s the main reason it’s one of my favourite museums in the country. Never Going Underground is (unfortunately) brave. It is complex, enlightening, sad, joyful, humorous, dark, and curated expertly in perhaps a way no other museum could. I’m fascinated by how it was curated by volunteers from the local LGBT+ community, but definitely not surprised, who else could it be curated by? Never Going Underground presents the LGBTQ+ community, in my subjectively cis-het perspective, perfectly. People’s History Museum does what it does best, a timeline, a cracking timeline. Seeing the development from homosexuality being a crime, to it’s (ish) acceptance today, you can see how far we’ve come as a society, and how far we have left to go. It also portrays perfectly the complex vastness of the LGBTQ+ community, and doesn’t shy away from the racism and transphobia that exists within organisations such as Pride. But ultimately, Never Going Underground shows the resilience, strength, and vibrancy of the LGBTQ+ communities past, present and future. Also, how incredible are the family friendly bags, and when will they be available at all museums? Soon, I hope.
If museums, and social media broadly, but looking at Youtube in particular, blocks or hides these stories, what happens next? While I understand* the right to conservative beliefs, and the desire of those beliefs to ‘protect’ children from sexuality they are not mature enough to process until adulthood, blocking those stories is more than just ‘protecting children.’ If the excuse is there that it is protecting children, it inherently implies that it is a bad thing to need that protection from. If our museums don’t have LGBTQ+ displays, there is the implication that those stories are hidden for a reason, that they are bad stories, that should be hidden.
I wholeheartedly recommend following Queering Museums, particularly their brilliant podcast that has come out recently, on the matter. One day London will have a museum dedicated to LGBTQ+ stories, and I will be there on the opening weekend, with pride.
*by understand, I mean I can empathise with having views different to my own.
Monday, February 25th, 2013
As part of my undergraduate History course, myself and two others planned, marketed and hosted an evening public event at the Peoples History Museum, aimed at the 17-25 year old student demographic. In this, we had free drinks (necessary for students, yes?), film screenings of Manchester based film 24 Hour Party People and clips of 40’s Manchester lent from the North West Film Archive, as well as tours of the fully open museum and a vintage stall with help from Random Quirks. In using surveys during the event, we were able to quantify attendance, as well as gather opinion of this demographic of the purpose and popularity of museums. Around 40 people attended the event, which was less than liked, but can still definitely be classed as a success, as it is still 40 students that wouldn’t have necessarily visited the museum otherwise, which is represented in the feedback surveys.